On the 15th of December of 1969 “an anarchist and railway employee named Pino Pinelli dies by falling from the window of the office of Police Superintendent Luigi Calabresi, on the fifth floor of the Milan police headquarters, where he had been detained for three days.” The story is vividly dramatized in Dario Fo, The Accidental Death of an Anarchist (part 1, part 2).
Carlo Ginzburg is one of the great masters of history writing. In 1991, the medievalist scholar of witchcraft trials wrote a book about a ongoing court case – The Judge and the Historian. His friend Adriano Sofri, a former leader of the autonomist group Lotta Continua, was on trial as mastermind of the murder in May 1972 of Superintendent Luigi Calabresi. Ginzburg’s book is a lesson on the use of evidence. Reading the transcripts of the trial, and the record of testimonies, Ginzburg reveals contradictions, the interpretative shortcuts of the judge, the lapses of the carabinieri that express their interference, and finally how evidence was weighted and distorted to justify a heavy sentence. One would think that the historian should reconstruct events, urgently tying actions to individual motives. Ginzburg calls it a “judicial model” and rejects it. Unlike the judge, the historian aims at a larger interpretative frame, studying the courtroom drama as “historical experimentation” where evidence, the document, is being actively produced by the interactions of officials, lawyers, witnesses.
The historian shows the judge gets it wrong. The accused were falsely condemned in a new witch hunt. Reading the book more than fifteen years after its publication, I can’t shake a feeling of powerlessness at the indignation of the intellectual. Sofri and his comrades languish in jail, the former is gravely ill. Ginzburg in all his brilliance cannot save the world.